Hinke Younger
Carmen Fantasy, Op. 25: Introduction. Allegro moderato & I. Moderato (comp. Pablo de Sarasate, perf. Hilary Hahn, Andrés Orozco-Estrada, Frankfurt Radio Symphony Orchestra)
This week’s topic: Da Capo Favourites
1. The Barber of Seville: Overture (comp. Gioachino Rossini, Perf. Leonard Bernstein, New York Philharmonic)
2. The Firebird, KC. 10, Tab 1: Infernal dance of all Kashchei’s subjects (comp. Igor Stravinsky, perf. Sir Simon Rattle, City of Birmingham Symphony Orchestra)
3. Danse Macabre, Op. 40, R. 171 (comp. Camille Saint-Saëns, perf. Andrew Wan, Kent Nagano, Orchestre Symphonique de Montréal)*
4. Romance, Op. 28 (comp. Gabriel Fauré, perf. Kathryn Stott, Yo-Yo Ma)
5. Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. “Der Hölle Rache kocht in meinem Herzen” (comp. Wolfgang Amadeus Mozart, perf. Diana Damrau, Jérémie Rhorer, Le Cercle De L’Harmonie)
6. Candide Overture (comp. Leonard Bernstein, perf. Leonard Bernstein, New York Philharmonic)
7. La Cenerentola / Act 2: “Non più mesta” (comp. Gioachino Rossini, perf. Cecilia Bartoli, Riccardo Chailly, Orchestra del Teatro Comunale di Bologna)
8. Carmen Fantasy, Op. 25: Introduction. Allegro moderato & I. Moderato (comp. Pablo de Sarasate, perf. Hilary Hahn, Andrés Orozco-Estrada, Frankfurt Radio Symphony Orchestra)
9. Carmina Burana: O Fortuna (comp. Carl Orff, perf. Michael Tilson Thomas, The Cleveland Orchestra, The Cleveland Orchestra Chorus)
10. Tom Sawyer – Live in Montreal 1981 (Rush)*
